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Each year So to Speak offers a fiction, nonfiction, and poetry contest. Past judges have included Claudia Rankine, Ru Freeman, Claudia Emerson, Jennifer Lauck, Marie Howe, Sharon Mehdi, and Lucy Corin.
Winners in poetry, fiction, and nonfiction are awarded $500, 2 complimentary issues, and publication in the journal. The three finalists are also featured in the journal.
Fall 2013 Fiction Contest
We will begin reading for our Fall 2013 Short Fiction Contest January 1, 2013. To enter, submit a manuscripts not exceeding 4,500 words (with double-spaced and numbered pages) and a cover letter through our Submission Manager. The reading fee is $15 and can be paid through our Submission Manager.
All entrants will receive a free copy of our Fall 2013 issue.
Deadline: March 15, 2013
Judge: Asali Solomon
Fall 2013 Art Contest: The “Hybrid” Book
We will begin reading for our Fall 2013 Art Contest January 1, 2013. To enter, submit your work and a cover letter through our Submission Manager. The reading fee is $15 and can be paid through our Submission Manager.
All entrants will receive a free copy of our Fall 2013 issue.
Deadline: March 15, 2013
In our 2013 visual art competition we seek entries in all media which the makers consider to represent – in any and all ways – the book experience. We welcome submissions to this competition including performance, digital and new media, photography and all 2D and 3D visual art forms, as well as sculptural book and artist’s book objects, whether or not incorporating text.
The book is increasingly digitalized, culturally iconic in its historic codex forms, and valued always from Kindle to library as an experience. What that actually means to each reader/viewer/handler is at a time of highly fluid interpretation. Art, object, and installation as “book” also is a rapidly expanding area of contemporary art.
The word “book” implies a particular experience…private, intimate travel of the mind along a trajectory of thought, feeling or information which is seen or read, felt and remembered as a multi-sensory experience from one distinct place to another. This may or may not be narrative,
and may or may not tell a story per se.
Often via words pages and chapters, the book experience can also come via dimensional objects which encase containers of text and image, or which resonate as narratives themselves, singly or when arranged in installation.
This view of what may or may not be “book” may make all film and much art, in fact, to be books. Such debates signal artistic life signs rather than demerits. And furthering the permeability between what is and isn’t considered book-like hopefully renders art, modern book arts, and the spoken and written word even more relevant and accessible to readers and viewers everywhere.
All entries must be received on-line only, and by March 15th. All entries must be in jpg or tif formats at 300 dpi. Please submit individual entries as LastName_Title, and include dimensions if applicable, the materials used as applicable, a brief description of the submission,
and a brief artist’s bio. LIMIT ONE (1) SUBMISSION PER ARTIST.
The following awards are offered once a year by the Bellingham Review.
The 49th Parallel Award for Poetry
1st Prize: $1,000
Final Judge: Kevin Clark
The 49th Parallel is the nickname for the US/Canada border that stretches from Washington State to Minnesota. Bellingham, Washington, the home of Western Washington University and theBellingham Review lies just shy of the border.
The Annie Dillard Award for Creative Nonfiction
1st Prize: $1,000
Final Judge: Dinah Lenney
Born April 30, 1945, Annie Dillard is best known for her nature-themed writing. She has explored her past and present dealings with nature through poetry, essays and novels. Often compared to Thoreau and other transcendentalist writers, Dillard is unique in her defiance of any strict categorization. As she examines the natural world, her subjects move between wildlife, God and the human condition. Among the nine book-length publications Dillard has published over the past twenty years, her use of multiple genres allows her to seamlessly move from Virginia creeks, to the Puget Sound, to the Galapagos Islands.s
The Tobias Wolff Award for Fiction
1st Prize: $1,000
Final Judge: Marjorie Sandor
Born in 1945 in Alabama, Wolff has been regarded as the master of memoir and short stories. His best known work, This Boy’s Life, recounts the story of his early childhood years in the Northwest and was the basis for a 1993 motion picture starring Robert DeNiro and Leonardo DiCaprio. A three-time winner of the O. Henry Award, Tobias Wolff is celebrated for his collections of short stories, novels, and memoirs. Wolff’s second collection of short stories, Back in the World (1985), was hailed as a sensitive work of fiction focusing primarily on the experiences of returning Vietnam veterans. In literary circles, Wolff is revered as much as a teacher as he is as a writer. After completing a Stegner Fellowship at Stanford University, Wolff served as the Jones Lecturer in Creative Writing at that institution (1975-1978). He later spent 17 years leading the Creative Writing Program at Syracuse University (1980-97). In 1997, he returned to Stanford where he currently resides and teaches.
Bernheimer, Pritts to Judge 2013 Contests
Kate Bernheimer & Nate Pritts
THE TUSCULUM REVIEW 2013 PRIZE IN FICTION: KATE BERNHEIMER
Kate Bernheimer has been called “one of the living masters of the fairy tale” by Tin House, and is the author of four books of fiction, most recently the final novel in a trilogy, The Complete Tales of Lucy Gold(FC2 2011), and Horse, Flower, Bird, a collection of stories with illustrations by Rikki Ducornet (Coffee House Press 2010). She has edited three anthologies including the World Fantasy Award winning My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales (Penguin 2010). She teaches in the MFA Program at the University of Arizona, and is founding and acting editor of Fairy Tale Review.
THE TUSCULUM REVIEW 2013 PRIZE IN POETRY: NATE PRITTS
Nate Pritts is the author of five books of poetry, most recently Sweet Nothing which Publishers Weeklydescribes as “both baroque and irreverent, banal and romantic, his poems […] arrive at a place of vulnerability and sincerity.” POETRY Magazine called his third book, The Wonderfull Yeare, “rich, vivid, intimate, & somewhat troubled” while The Rumpus called Big Bright Sun, his fourth book, “a textual record of mistakes made and insights gleaned…[in] a voice that knows its part in self-destruction.” His poetry & prose have been widely published, both online & in print & on barns, at places like Southern Review, Forklift, Ohio, Court Green, Gulf Coast, Boston Review & Rain Taxi where he frequently contributes reviews. The founder & principal editor of H_NGM_N, an online journal & small press, he lives in Syracuse, New York.
2013 CONTEST GUIDELINES—FICTION & POETRY
The prize is $1,000 and publication.
The deadline is March 15, 2013 (postmarked).
Send contest submissions to:
The Tusculum Review
P.O. Box 5113
60 Shiloh Road
Greeneville, TN 37743.
Mark envelopes: “FICTION CONTEST” or “POETRY CONTEST.”
The entry fee is $15 per manuscript. We accept checks and money orders made payable to The Tusculum Review.
Each manuscript entered should consist of no more than twenty-five pages of fiction or no more than five poems (we will allow up to 10 pages total of poetry). You may enter more than one manuscript and/or more than one genre contest (as long as you include a $15 reading fee with each contest submission).
Please send a cover letter with your contest entry. The cover letter should include the title(s) of your entry, genre of the work—fiction or poetry—your name, postal address, phone number, and e-mail address. Please do NOT include your name or any other identifying information on your actual submission.
Previously published stories and poems (including web publications) are not permitted for submission.
Entry fees include a one-year subscription to The Tusculum Review (an annual publication) and consideration for publication. We consider all works submitted for publication.
Manuscripts will not be returned; they will, instead, be recycled.
The judges for the 2013 prizes will be Kate Bernheimer for fiction and Nate Pritts for poetry. Family, friends, and previous students of the judges, or those with reciprocal professional relationships with the judges, will be disqualified from the contest. Submissions will be screened by the staff of The Tusculum Review, and finalists will be forwarded for judging.
Manuscripts will be numbered, and all names on the manuscripts will be removed before they are read and work is presented to the judges. In the event that judges do not deem any submissions worthy of the prize, The Tusculum Review reserves the right to extend the call for manuscripts or to cancel the award.
All contestants will receive the 2013 issue of The Tusculum Review and a letter listing the winner and finalists. The new issue will be mailed to all contest entrants before June 1, 2013. The winners and finalists will be listed on The Tusculum Review companion website.
l be mailed to all contest entrants before June 1, 2013. The winners and finalists will be listed on The Tusculum Review companion website.
This blog doesn’t endorse any of these contests, please verify all information regarding each.
Numinous Publications by Hypervorean
Hailing all High Fantasy lovers! I would like to tell you a bit about this new book blog that is entirely dedicated to the High Fantasy genre. Numinous Publications is run by Hypervorean, an avid reader and reviewer of High Fantasy as well as an aspiring writer.
About Numinous Publications
The first review was posted on the blog on December 1st 2012, so it is still a very new blog that is looking to gain a foothold within the scene and struggling to get the attention of those who might share its vision. Numinous Publications wishes nothing more than to promote the genre as best as possible.
Numinous Publications review books from both indie and traditionally published authors in an effort to become familiar with a wider range of the genre. So far Numinous Publications has made agreements to review books from smaller publishers such as The Bedwyr Press, Center One Publishing, Kristell Ink and lately also Jo Fletcher Books.
Numinous Publications is always interested in guest posts from authors and bloggers of the genre.
The United Fantasy Bloggers’ Assembly
Numinous Publications is a founding member of the UFBA.
The UFBA is an exclusive group that may be joined only upon invitation. Its purpose, as you might have already guessed, is to bring some of the fantasy bloggers out there together in a co-operative network. Our goal is to raise the awareness of fantasy literature as well as promote our own blogs. We are all passionate about the genre and wish nothing better than to see it blossom.
We have set a membership limit of 10 bloggers as we want rather a closely connected co-operating team than a big time-consuming organisation. We are currently only 5 members in the group, which also means that we are actively searching for new members. Make yourselves known to us, fantasy bloggers!
Hypervorean is of course not a real name. Hypervorean’s real name is Eli Adelholm. She is nineteen years old and hails from the Kingdom of Denmark. She has been reading and writing in English since she was about 12. Furthermore she is a proud blackmetaller, and she fights with real swords in a Historical European Martial Arts club.
One of the main reasons that Eli is so fond of the High Fantasy genre is her love for the medieval period (and the periods that came before). Her philosophy is not very far from that which ruled during the age of her Viking forefathers. Like them she holds the sword in high esteem and honors some of the same values that were also prevailing at that time. She carries the hammer of Thor around her neck not because that she believes in the old northern gods (or any gods for that matter) but as a sign of her respect for the people of that time.
Eli is currently working on her debut novel The Book of the False King which is to be the first book in a series entitled A Story Too Old. Beside this she is also currently writing a variety of short stories that she hopes to get published soon. You should look out for titles such as Under the Purple Arch and The Undiscoverable.
Please visit Numinous; I encourage you to view Eli’s writings. She has a fantastical mind. Aron Joice
This is a reprint from All Things Considered/ NPR Feb.5/2013
All credit and information regarding this article belongs to NPR
Why Traditional Publishing Is Really In A ‘Golden Age’
by NPR STAFF
How healthy is the traditional publishing industry? Not very, says Mark Coker, founder of the self-published book distributorSmashwords. On Monday, Coker told NPR’s Audie Cornish that “over the next few years, traditional publishers are going to become more and more irrelevant.”
Hear Mark Coker’s Full Interview:
February 4, 2013
But Michael Pietsch, soon-to-be CEO of the traditional publisher Hachette Book Group, disagrees. “I think we’re in a golden age for books — reading, writing and publishing,” he tells Cornish. “And the ways that publishers can work to connect readers with writers now are the kinds of things that publishers have dreamt of doing since Gutenberg first put down a line of type.”
Pietsch joins Cornish to discuss how marketing sets a publishing deal apart from the self-publishing model.
On why writers pick publishers over self-publishing
“For marketing. They want someone who can help them take what they’ve created and get it everywhere. And the business of publishing has become much more complex. You’re not just selling books to local bookstores. You’re selling them to independent bookstores; you’re selling them to bookstore chains like Books-A-Million and Barnes and Noble; you’re selling to Costco, to Target, to Wal-Mart, to Urban Outfitters, to this huge, complicated physical book network, and at the same time on all the digital retail platforms that are out there. You want your book … in these places in prominent ways and displayed at the time the publicity is happening, and that’s what the publisher orchestrates. A publisher, when it’s going well, gets that book in the front of the store, on the home page of the website at the moment that that writer is sitting down with Audie Cornish on All Things Considered to talk about her book.”
Michael Pietsch is currently executive vice president and publisher of Little, Brown and Company. He’ll become CEO of Hachette on April 1.
Courtesy of Hachette
On what has changed in the traditional publishing industry
“What has changed in a really exciting way is the ways you can get people’s attention. It used to be one book review at a time, a daily review, maybe you get into Time magazine. Now there’s, with the Internet, this giant echo chamber. Anything good that happens, any genuine excitement that a book elicits can be amplified and repeated and streamed and forwarded and linked in a way that excitement spreads more quickly and universally than ever before. And what I’m seeing is that really wonderful books — the books that people get genuinely excited about because they change their lives, they give them new ideas — those books can travel faster, go further, sell more copies sooner than ever before. It’s just energized the whole business in a thrilling way.”
On his upcoming transition from editor and publisher at Little, Brown and Company to CEO of Hachette
“The best advice I’ve had is from our CEO in France, Arnaud Nourry, who [is] the chairman of Hachette Livre, who said, ‘Don’t try to be your predecessor. You have this job because of who you are and the skills you have. You’re a publisher, you’re an editor, use those skills in this position. Don’t try to pretend you have 35 years of experience in supply chain management.’
“… I’ve been an editor, editor-in-chief, publisher, and in every step I’ve learned more about the finances in the business and where you can make money and where you can save money and where a business grows. At the same time, this is a moment when the questions … — can writers publish themselves, should they publish themselves, are publishers necessary — are in the air constantly, and it is important for Hachette to have the person running the company be someone who answers that question immediately.”